Berlin-based Stefan Kaegi produces documentary theatre plays and works in public space in a diverse variety of collaborative partnerships. Kaegi has toured across Europe and Asia. In Cairo, he developed Radio Muezzin, a project about the call to prayer in this age of technical reproduction. At the moment he is adapting Remote X, an audio-tour for 50 headphones to cities like Taipei and Tunis. Among other recent works are the interactive installation Nachlass and the monologue for a humanoid robot Uncanny Valley. Kaegi co-produces works with Helgard Haug and Daniel Wetzel, under the label “Rimini Protokoll”. Using research, public auditions and conceptual processes, they give voice to ‘experts’ who are not trained actors but have something to tell.