Jessica Ekomane is a French-born and Berlin-based electronic musician and sound artist. She creates situations where the sound acts as a transformative element for the space and the audience. Her quadraphonic performances, characterized by their physical affect, seek a cathartic effect through the interplay of psychoacoustics, the perception of rhythmic structures and the interchange of noise and melody. Her ever-changing and immersive sonic landscapes are grounded in questions such as the relationship between individual perception and collective dynamics or the investigation of listening expectations and their societal roots. 

Judith Hamann is a composer/performer born in Narrm/Melbourne, and currently based in Berlin. Described as an “extraordinary Australian cellist” ("the Guardian"), and as a composer who “destroys the fiction of the musician who lives and works outside conventional parameters and puts in its place a series of compositions that are fundamentally humane” ("WIRE"), their work encompasses performance, electro-acoustic composition, site specific generative work, and micro-tonal systems in a process based creative practice.