Season Preview. A short film curated by the artistic duo, dealing with the fascination for nature and the desire to revisit ancestral legends. The screening is accompanied by a dialogue with Nino Laisné. Event in collaboration with Institut français Milano.

The performer, choreographer and dancer François Chaignaud has a remarkably polymorphous artistic identity; as does the work Romances inciertos, a mosaic of music, song and dance that interweaves three androgynous characters from Spanish tradition.

The creators of some of the most interesting theatrical poetics on the European panorama, Daria Deflorian and Antonio Tagliarini – Triennale Milano Teatro’s associate artists – return to the Triennale with a work that engages with the dreamlike cinema of Federico Fellini.

Daria Deflorian and Antonio Tagliarini present their latest book, which collects five theatrical texts inspired by shows the duo has dedicated to some exceptional figures of the cinematic imagination.

Romeo Castellucci presents an evening devoted to the Seventh Art. A cycle of film screenings – including shorts and feature films selected personally by the director from Cesena – that explores cult figures and experimental works.

For the 23rd International Exhibition, Romeo Castellucci – the Triennale’s Grand Invité 2021-2024 – investigates the unknown through an installation in which the mechanical element completely replaces the human.

Xing presents the new LP The Third Reich, by Romeo Castellucci and Scott Gibbons. A time to meet and listen with Triennale's Grand Invité and Silvia Fanti.

Kornél Mundruczó portrays the existential grief of a forgotten humanity, representing the dignity of those who have no voice. On stage, a solitary vagrant sings as he goes on a journey with no final destination, accompanied on the piano with Schubert's music.

A meeting with singer János Szemenyei and pianist Károly Mocsári, stars of the show Winterreise, by Proton Theatre.

In Piscina Mirabilis the stage becomes an unexpectedly everyday place on which bodies and figures are projected in search of a possible alliance, a free co-habitation.

The duets of Teshigawara and Sato, like choreographic poetry, reveal the power and magic of bodies in movement, on the notes of Mahler, Beethoven, Bach, Mozart, Rachmaninov and Ravel.

A highly personal piece of choreography in which the American dancer reveals himself bit by bit, reflecting on the political dimension of dance and on putting one's identity on stage.